Universal Principles of Design Project

These two pages are A2 layout spreads for a magazine. This was a 4 day project, we were given 10 things/places/spaces and had to organise and present information about them. My group was given countries.. Wales, Liechtenstein, Czech Republic, Switzerland, Russia, Japan, France, USA, Macedonia and Hawaii (which isn't a country but oh well.) We started off looking at them typographically and then started moving into images.

The first type spread is the countries in point size, one point = 10,000km.

And on the right hand side is the population density of the countries in relation to letterspacing.

We asked members of our graphics class to draw our 10 countries on a map that was blank apart from the UK. we got some very interesting results, and in this spread we overlayed 12 of them so you can see the differences. The coloured circles are the actual location of the countries.

The third spread we made is still a working progress, its all about the amount of google hits each country gets, made into some sort of map.

EDIT - new 3rd spread..

Swing, Punch & Emboss Machine

This was a group project in which we had to produce a Drawing Machine incorporating three verbs. We were given, Swing, Punch and Emboss. We had to produce a film explaining how our machine was made and how it works.

Everyday Objects Project

We were set a one week project to transform/rework/re-contextualise an everyday object. My group was given bin bags. We spent the first few days playing around with our material and brain storming ideas. We liked the idea of quantity.. one bin bag on its own is a very thin and flimsy piece of material but as soon as you start plaiting it together it can be ridiculously strong. So we made a lot of rope.. Also on the labels of bin bags they always tell you how many litres (of air) each bin bag holds.. but we thought what if this could be litres of water?

Our final idea was an instillation type piece, we filled bin bags with litres of water that made up a daily routine of water usage and waste. 1L of water weighs 1 killogram, so they weighed an absolute tonne, but we had our strong bin bag ropes to suspend them from the ceiling with. It was a long day setting up the bags and hoping that the hooks we'd superglued into the ceiling didn't give way and send water splashing everywhere in the middle of the crit.

The end result was quite powerful, it gave people the opportunity to actually see the volume of water they use in a day and make them consider it. The idea of bin bags immediately links to the idea of waste so we decided that the concept was clear, but the bags needed labelling with the amounts and the daily routine.. 'brushing teeth' 'washing up' etc. We tried to keep the labelling as simple as possible and using a language that was connected to our material. We had seen bin bags with tick boxes and bold text to identify what was inside so we used that for our labelling.

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Gastrotypographicalassemblage & other cool things from the London Design Festival

I'm now at Kingston, living in university halls in Surbiton. Having an amazing time, and its so great to be living sort of in London but sort of out of it, we've got the best of both here. When the London Design Festival was onlastweekend, i went up into central with a group of classmates and we explored the Shorditch/ Brick Lane area. None of us had ever properly been around that area before, so we took a whileto find stuff, but when we did there was some really really interesting work on show in small galleries and shops as part of the design festival and the anti design festival.

One of them we found at theKemistry Gallery, it was Lou Dorfsman's Gastrotypographicalassemblage. Just the name in itself is pretty impressive. It was designed and created for the CBS Cafeteria in 1965. Dorfsman mapped out a selectionof different typefaces, spelling out the food on offer in the cafeteria. The letters were cut out of wood and sprayed white to unify them. The result was a 40 foottypographic mural.

Original sketch:

Things we saw when just walking around Shorditch:

I like how some joker graffitied 'break' on the building underneath of 'TEA,' you can only see it from this angle as well.

Little exhibition we found in a random street that was part of the Anti Design Festival

This alphabet was cool, but its missing a W.. don't know if that was to make it fit more nicely on the page, or if there was some meaning behind it?

And we also went to Emerge, which is a platform for selected graduates from all different graphic design BA courses to exhibit and get their work out there.

This was one of my favourite pieces, its a typeface made from people with glow in the dark arms forming the letters, it looked so effective when you saw them all together.

Finishing the books

Today I wanted to finish all my books, so I went into screen printing and made the cover for the lucky routines book:

I decided to keep it really simple, just print the 'Good Race' onto white card, because I didn't want to have a really long title about lucky race routines for a good race, and because the GOOD RACE = is the background on every page, it makes sense to have it on the cover as well, and also means that the viewer knows that the yellow writing behind the formula says GOOD RACE =, sometimes it isn't so easy to read. By just having this as the cover, it doesn't give too much away about whats going on inside the book, so to make sure the viewer gets whats going on, I screen printed this sub heading on the first page:

This way I can make sure that the viewer fully understands what the book is about and because it says 'lucky pre-race routines,' it links it to the other books.
I also completed the cover for the cutouts book. When i had a tutorial a couple of weeks ago, Rob said he liked the idea of having the cover as one of the explanations, 'All the best footballers are 9 or 7' was my favourite, it sums up my 9 year old brothers thinking into lucky numbers perfectly, so i thought it would be good on the cover, its also intriguing, in that it doesn't give anything away. I made the cover as a cutout, it just wouldn't have made sense to switch processes for the cover, just like I made a screen printed cover for the screen printed book; so even though the cutout is a really delicate thing, I wanted to make sure it worked on the cover. I used a dark purple cartridge paper for the cover, if it was just in white, the cutout wouldn't stand out against the white pages behind it or be very legible...

I liked how the sub-heading first page worked on the screen printed lucky routines book, so i decided to use this idea again for the cut-out book, I added a sheet of pale pink tracing paper as a first page and Letraset-ed on "It's my lucky number because.." as a little simple explanation of what the book is about and again linking it to the other books, because its important that the three of them work together as a set.

And finally, I made made the cover for the text nmbers book. As I'd made the whole book using letraset, I wanted to make a Letraset cover. At the weekend I tested some ideas for the cover..

I thought about making a text number out of an explanation about the book instead of an explanation about a lucky number, but then thought this might be giving a bit too much away and might make the inside of the book not as interesting when its opened. So i decided to switch the process around, and instead of making numbers out of words, make words out of numbers. So I made a really plain cover, that sums up what the whole book is about in one word (made of numbers..)

I sewed all three of the books together, it feels really good to have them all complete in a set!

Making cutout numbers book

I previously made a cutout numbers book as part of my experiments in how to present the information I'd collected and photos I'd taken. Before i started to make the final cutout book, i went back and looked at the previous one, and what I'd written on here about ways in which i needed to improve it. I chose to make the book using cartridge paper, so i could easily print the photos onto it and also easily cut through it. I worked out the page layout and printed the photos onto the paper, the photos have a sort of grainy look to them because they're printed onto cartridge paper, but i don't mind this, i think it just softens the photos a bit and fits a bit more with the whole handmade process of the book. I've got 8 photos & explanations in total. I then stenciled the explanations onto the pages and I've started the cutouts:

I'm going to make sure I'm centering the cutouts on the page, something I picked up on from making the trial book.

Lucky routines book

I had decided that one of my three final outcome books was going to be based on the lucky routines that i collected from the running club questionnaire, but wasn't sure on the format to work in. Then after the other day's screenprinting practice I decided I would go ahead and try to make the book out of screenprints, because i was pleased with how the overlapping text had turned out.. it made the formulas a lot more interesting. I decided to stick with the same 'GOOD RACE=' behind each formula, because behind every good race is a lucky routine, and then use different colours for each person's routine.

I'm really pleased with how this has turned out, I like how the 'good race' is a familiar thread that runs through the book and the different colours help to make each person individual, just like their personal lucky routine. I really enjoyed the process of screenprinting as well, each page is printed differently and not exactly central.. which I'm not worried about because that's what makes it an individual handmade book! These are some of the pages at the moment:

Making these three different books is enabling me to try out a range of processes which are becoming successful in their own ways. What i do want to make sure though is that the three books do look like they are part of the same project, i don't want them to look randomly placed together. To make sure this doesn't happen I'm going to have to think about the covers, maybe I could use the exact same paper/colour for the covers, to make them look like a set... this is something I'm going to think about over the weekend whilst I'm working on the next and final book, the lucky number photo cutouts book.

I Also managed to get hold of some smaller sized Letraset, not Helvetica but Charlotte Sans 3mm, and I think it works well with the bold Helevetica 'numbers,' because it's very subtle and doesn't detract from the numbers which was really important to get right.

Text numbers book

Today I am working on putting together one of my final outcomes books, the text numbers.

I have worked out the sequence of the numbers that i want, and have been tracing the numbers onto the pages...

A good few hours later and I've completed the numbers..

I'm pleased with the outcome, they look good a set. I had to be really careful to make sure the text fitted into the shape of the numbers, sometime its gone a little bit over the length of the number.. but i don't think this is really noticeable. Now i want to put in the bottom right hand corner the person's name & age. I think it will put their lucky number and quote in a bit more of a context, and show that these lucky numbers come from actual people! At the moment though I'm not sure what letraset to use, I've used uppercase Helvetica 5mm for the numbers, but the lowercase in the same type will be too big.. i want the names to be quite subtle in the corner and not detract from the numbers. I've got some Times New Roman in 3mm but I'm not sure about mixing the two types together. I'm going to wait and try and get hold of some Helvetica 3mm tomorrow and then the dilemma will hopefully be solved!